Lever Rukhin Photographs Los Angeles From His Car
Lever Rukhin shoots the sketchiest parts of Los Angeles from his car, taking a really unique perspective that helps you perceive what LA looks like, if you were in a car… An experience that is apparently common to all LA people. People drive too much in the US :-).
It’s a very interesting interview that goes well with his full site: Lev Rukhin.
What I love about this, besides the whole premise, is that Lev went the extra mile and actually hacked his car to make the images he wanted:
Phoblographer: It looks like many of these images have artificial lighting in them. What’s your gear setup, and how do you introduce so much light into the scene from your car?
Lever: About 9 months ago, I affixed a Mola beauty dish onto the roof rack of my ’75 Volvo and juice it with a profoto bi-tube. This takes a bit of practice, as making a turn changes the light completely, which I always try to keep balanced. The Canon 5D3 with a 24mm f1.4 is set up on a tripod. The strobe has allowed me to capture more detail as well as creating a somewhat surreal feel to the sets.
The Invisible Woman: A conversation with Björk
Björk is that Icelandic singer we all hear about but never really pay much attention to because her music is too smart for our simple ears. In this interview she goes over how her latest album is a very personal work, and unexpectedly (?) ends talking about how problematic it’s been to be a female auteur in her generation.
I have seen the same problem she denounces about people assuming that the male members of a team did all the work while the women just sticked to making coffee and sandwiches. I’ve worked with exceptional women that don’t get enough credit, but I’ve also worked with potentially exceptional women who don’t give themselves enough credit.
It’s a very interesting read, specially since it comes from someone who couldn’t be higher in the “art” food chain. Björk is god-damn Björk.
Only thing that bugs me is that Pitchfork decided to hold back most of the interview for publishing next month. I’ll try to go back and read it in full, but I wonder if the technique works for them or if perhaps they are missing the opportunity for a bigger impact. But I digress.
Pitchfork: The world has a difficult time with the female auteur.
B: I have nothing against Kanye West. Help me with this—I’m not dissing him—this is about how people talk about him. With the last album he did, he got all the best beatmakers on the planet at the time to make beats for him. A lot of the time, he wasn’t even there. Yet no one would question his authorship for a second. If whatever I’m saying to you now helps women, I’m up for saying it. For example, I did 80% of the beats on Vespertine and it took me three years to work on that album, because it was all microbeats—it was like doing a huge embroidery piece. Matmos came in the last two weeks and added percussion on top of the songs, but they didn’t do any of the main parts, and they are credited everywhere as having done the whole album. [Matmos’] Drew [Daniel] is a close friend of mine, and in every single interview he did, he corrected it. And they don’t even listen to him. It really is strange.
In Defense of the Selfie Stick
Miguel proposes a different take on the consequences of the selfies stick:
When you ask someone to take a picture of you, technically, they are the photographer, and they own the copyright of your picture.
All of a sudden, your backpacking adventure in Europe requires you to pack a stack of legal contracts.
Now your exchange goes from “Can you take a picture of us?” to “Can you take a picture of us, making sure that the church is on the top right corner, and also, I am going to need you to sign this paper”.
I don’t know what’s with the selfie stick hate. Let people have fun, it doesn’t hurt. If anything, it prevents them from asking you to take their photo, and if we already established you are the kind of people not a big fan of strangers, all the better, right?
Why Top Tech CEOs Want Employees With Liberal Arts Degrees
Here’s a small extra. When I decided to pursue a humanities/art formal training, I got many naysayers telling me that I was screwing up not specializing even more as a formal (titled) engineer. I argued then, and now, that if I was gonna pay for training, I might as well pay for training outside my comfort zone.
The result resonates perfectly with this article. Of course, it’s not like the thing is settled, but I can back the various quotes in there.
Working with purely technical/engineering types can be an echo chamber, and having trained myself in the humanities and arts I have become incredibly much more sensitive to the human factor of things. I used to think I was already good at this (because we hacker types have lots of confidence), but studying humanities like human communication, social conflict and development, film language, etc; it all has made me a much more capable hacker of things.
There’s also a nice argument to be made about joining the arts when you are already highly skilled on technical matters. Like Robert Rodríguez’s teacher (mentioned in his diary/book Rebel Without a Cause, which I also have to review soon) used to say (generous paraphrasing here): the world is of those who can be their own creative and their own technician.
Both Yi and Sheer recognize that the scientific method is valuable, with its emphasis on logic and reason, especially when dealing with data or engineering problems. But they believe this approach can sometimes be limiting. “When I collaborate with people who have a strictly technical background,” says Yi, “the perspective I find most lacking is an understanding of what motivates people and how to balance multiple factors that are at work outside the realm of technology.”
Interesting food for thought, specially if you know an engineer that ditches the arts as of little value for personal growth in their careers/life.
Read more Link Pack, you’ll love it
- Link Pack #05 - Lever Rukhin Photographs Los Angeles From His Car Lever Rukhin shoots the sketchiest parts of Los Angeles from his car, taking a really unique perspective that helps you perceive what LA looks like, if you were in a car… An experience that is apparently common to all LA people. People drive too much in the…
- Link Pack #04 - Writing Your Way to Happiness (nytimes.com) Researches believe that the way we think about, and remember, “our story” can be so powerful that it can actually influence our happiness and success. It’s a nice little article summarizing actual research. The main study referred put fresh university students to test: a group received tools to “rewrite”…
- Link Pack #03 - What’s that? The third edition of Link Pack of course! Playing with Power (7 minutes, Vimeo) A super awesome story about a stop motion animator that turned a Nintendo Power Glove into the perfect animation tool. It’s a fun, inspiring video :-). I love the Power Glove, it’s so bad. The Power Glove – Angry…
- Link Pack #02 - First sequel to my Link Pack “series” (I’ll remove the quotes when it’s LP#05): Link Pack #01. This time I’m going for fewer articles, to try to keep things less overwhelming. There’s no special theme, and I’m actually leaving out some nice things I read recently. On the plus side, that means I have good…
- Link pack #01 - Following the lead of my dear friend Daniel and his fantastic and addictive “Summing up” series, here’s a link pack of recent stuff I read around the web. Link pack is definitely a terrible name, but I’m working on it. How to Silence Negative Thinking On how to avoid the pitfall of being a Negatron…